Eastman Kodak Neg. Films | 1412 Titles
Armored (2009)
Marie Antoinette (2006)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera
The Tree of Life (2011)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Carnage (2011)
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
Space Cowboys (2000)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Match Point (2005)
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Braveheart (1995)
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Point Break (1991)
Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Breaking the Waves (1996)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
American Son (2008)
Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer
Cameras | Panavision Panaflex Millennium XL Camera
The Godfather: Part II (1974)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Painted Veil (2006)
Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses