Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 16Eastman Color Negative 100T 5254/7254 Film : 21Eastman Color Negative 125T 5247 Film : 29Eastman Color Negative 250T 5293/7293 Film : 18Eastman Color Negative 400T 5294 Film : 19Eastman Color Negative 50T 5251 Neg. Film : 6Eastman Color Negative II 100T 5247/7247 F... : 17Eastman Double-X 5222/7222 Neg. Film : 41Eastman Ektachrome (Daylight) 160D 5239/72... : 7Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 256Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 7Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 5Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 399Kodak Vision 200T 5274 Neg. Film : 96Kodak Vision 250D 5246/7246 Neg. Film : 95Kodak Vision 3 Film Neg. Film : 375Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 221Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1426 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Star Trek: First Contact (1996)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | John W. Wheeler

Starring | Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton

Cameras | Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses | Panavision C Series Anamorphic Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Artworks (2003)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard

Starring | Virginia Madsen, Rick Rossovich, Eddie Mills, Daniel von Bargen

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Burn After Reading (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen

Starring | Brad Pitt, Frances McDormand, George Clooney, John Malkovich

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Agent Crush (2008)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle

Starring | Brian Blessed, Neve Campbell, Brian Cox, Jon Culshaw

Cameras | ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

The Hitchhiker’s Guide to the Galaxy (2005)

Motion Picture | 2D | Color | 109 Minutes

The Hitchhiker’s Guide to the Galaxy | ShotOnWhat?

Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie

Starring | Martin Freeman, Yasiin Bey, Sam Rockwell, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Anything Else (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Woody Allen, Jason Biggs, Christina Ricci, Danny DeVito

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Spartacus (1960)

Motion Picture | 2D | Color | 197 Minutes

Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner

Starring | Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton

Cameras | Technirama Camera

Waiting Alone (2004)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng

Starring | Yu Xia, Bingbing Li, Beibi Gong, Qi Gao

Cameras | ARRIFLEX 535 B Camera

Robin Hood (2010)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Robin Hood | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Cate Blanchett, Matthew Macfadyen, Max von Sydow

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

Big Fish (2003)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 125 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

A Soldier’s Daughter Never Cries (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson

Starring | Leelee Sobieski, Kris Kristofferson, Barbara Hershey, Jane Birkin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Absolute Power (1997)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Gene Hackman, Ed Harris, Laura Linney

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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