Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 16Eastman Color Negative 100T 5254/7254 Film : 21Eastman Color Negative 125T 5247 Film : 29Eastman Color Negative 250T 5293/7293 Film : 18Eastman Color Negative 400T 5294 Film : 19Eastman Color Negative 50T 5251 Neg. Film : 6Eastman Color Negative II 100T 5247/7247 F... : 17Eastman Double-X 5222/7222 Neg. Film : 41Eastman Ektachrome (Daylight) 160D 5239/72... : 7Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 255Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 7Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 5Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 399Kodak Vision 200T 5274 Neg. Film : 96Kodak Vision 250D 5246/7246 Neg. Film : 95Kodak Vision 3 Film Neg. Film : 375Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 221Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1424 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

True Detective (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 55 Minutes

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Grey’s Anatomy (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 41 Minutes

| Cinematography by | Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons | Editing by | Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto

Starring | Chandra Wilson, James Pickens Jr., Ellen Pompeo

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

One True Thing (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Carl Franklin | Cinematography by | Declan Quinn | Editing by | Carole Kravetz Aykanian

Starring | Meryl Streep, Renée Zellweger, William Hurt

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses

A Very Long Engagement (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Gaspard Ulliel, Jodie Foster

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Before Sunset (2004)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Vernon Dobtcheff

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar and Lucinda (1997)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman

Starring | Ralph Fiennes, Cate Blanchett, Ciarán Hinds

Cameras | Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

What Dreams May Come (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 113 Minutes

Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy

Starring | Robin Williams, Cuba Gooding Jr., Annabella Sciorra

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Kid with a Bike (2011)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Thomas Doret, Cécile de France, Jérémie Renier

Cameras | ARRICAM Lite (LT) Camera

Big Miracle (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman

Starring | Drew Barrymore, John Krasinski, John Pingayak

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Beautiful Creatures (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz

Starring | Alice Englert, Viola Davis, Emma Thompson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Emma (1996)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Douglas McGrath | Cinematography by | Ian Wilson | Editing by | Lesley Walker

Starring | Gwyneth Paltrow, James Cosmo, Greta Scacchi, Alan Cumming

Cameras | Moviecam Compact Camera

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Dead (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | John Huston | Cinematography by | Fred Murphy | Editing by | Roberto Silvi

Starring | Anjelica Huston, Donal McCann, Helena Carroll

Cameras | Moviecam SuperAmerica Camera

Lenses | Zeiss Lenses

Snake Eyes (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 98 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow

Starring | Nicolas Cage, Gary Sinise, John Heard

Cameras | Moviecam Compact Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

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