Eastman EXR 500T 5296 Neg. Film | 44 Titles
Home Alone 2: Lost in New York (1992)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | Panavision Panaflex Platinum Camera
Ghost (1990)
Directed by | Jerry Zucker | Cinematography by | Adam Greenberg | Editing by | Walter Murch
Cameras | ARRI ARRIFLEX Series Cameras
Home Alone (1990)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Speed Panchro Lenses, Zeiss Lenses
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Schindler’s List (1993)
Jurassic Park (1993)
Honey I Blew Up the Kid (1992)
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Always Something Better (1997)
Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione
Cameras | ARRIFLEX 16SR2 Camera
I Love You to Death (1990)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Last of the Mohicans (1992)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Dov Hoenig, Arthur Schmidt
Cameras | Panavision Cameras
Dogfight (1991)
Directed by | Nancy Savoca | Cinematography by | Bobby Bukowski | Editing by | John Tintori
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Cooke Lenses
Final Analysis (1992)
Directed by | Phil Joanou | Cinematography by | Jordan Cronenweth | Editing by | Thom Noble
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Camp Nowhere (1994)
Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll
Lenses | Panavision Primo Anamorphic Lenses
Fresh (1994)
Directed by | Boaz Yakin | Cinematography by | Adam Holender | Editing by | Dorian Harris
Lenses | Panavision Primo Anamorphic Lenses
In the Line of Fire (1993)
Directed by | Wolfgang Petersen | Cinematography by | John Bailey | Editing by | Anne V. Coates
Lenses | Panavision Primo Anamorphic Lenses
Dracula (1992)
Directed by | Francis Ford Coppola | Cinematography by | Michael Ballhaus | Editing by | Anne Goursaud, Glen Scantlebury, Nicholas C. Smith
Cameras | ARRIFLEX 535 Camera
Basic Instinct (1992)
Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Baraka (1992)
Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson
Cameras | Todd-AO 65mm Camera
Lenses | Schneider Lenses
Dances with Wolves (1990)
Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis
Cameras | Panavision Cameras
Lenses | Panavision Lenses