Eastman Color Negative 250T 5293/7293 Film | 18 Titles
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Lenses
Friendship’s Field (1995)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
Hatred of a Minute (2002)
Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter
Cameras | ARRI Cameras
Lenses | ARRI Lenses
Billy’s Hollywood Screen Kiss (1998)
Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt
Cameras | Panavision Silent Reflex PSR Camera
Curfew (2012)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke
Cameras | Red One Camera
The Young Girl and the Monsoon (1999)
Directed by | James Ryan | Cinematography by | Benjamin Wolf | Editing by | John David Allen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Tootsie (1982)
Directed by | Sydney Pollack | Cinematography by | Owen Roizman | Editing by | Fredric Steinkamp, William Steinkamp
Cameras | Panavision Cameras
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
A Little Princess (1995)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Panaflex Platinum Camera
The Naked Man (1998)
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Amadeus (1984)
Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The NeverEnding Story (1984)
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz
Lenses | Technovision Lenses
One from the Heart (1981)
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts
Cameras | ARRIFLEX 35 BL Camera
Roseanna’s Grave (1997)
Gorky Park (1983)
Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler
Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera
Free Willy (1993)
Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown
Lenses | Panavision Primo Anamorphic Lenses
DragonHeart (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera