1920x1080 Distribution Resolution | 302 Titles
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Citizen Kane (1941)
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
Hatred of a Minute (2002)
Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter
Cameras | ARRI Cameras
Lenses | ARRI Lenses
The Resident (2018)
| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Marco Polo (2014)
| Cinematography by | Vanja Cernjul, Romain Lacourbas, Xavier Grobet, Gavin Struthers | Editing by | Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras | Sony PMW-F55 Camera
Call the Midwife (2012)
| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras | ARRIFLEX D-21 Camera
The Librarians (2014)
| Cinematography by | David Connell | Editing by | Ron Stanik, Tom McQuade, Brian Gonosey, Sonny Baskin, Chris A. Peterson, Eric L. Beason
Cameras | Red Epic Dragon Camera, Red One MX Camera
Chelsea Lately (2007)
| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses | Fujinon Lenses
Treasures of the Copper Scroll (2007)
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
El Último Suspiro (2017)
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leitz Lenses
Revelator (2017)
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
Raymond’s 5 (2017)
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
The Legend of Daniel (2012)
Directed by | Tyler W. Moore | Cinematography by | Tyler W. Moore | Editing by | Tyler W. Moore
Cameras | Canon VIXIA HF10 Camera
Brimstone Terrace (2013)
Odium (2013)
Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski
Cameras | Canon EOS-5D Mark III Camera
The Box (2018)
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
Lacuna (2016)
Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart
Cameras | Canon EOS-1DX Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses
The Father and the Bear (2016)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
Ship of Theseus (2012)
Directed by | Anand Gandhi | Cinematography by | Pankaj Kumar | Editing by | Sanyukta Kaza, Adesh Prasad, Satchit Puranik
Cameras | Canon EOS-1D Mark IV Camera
Ordinary (2013)
