Film Print | 1315 Titles
Bless the Child (2000)
Directed by | Chuck Russell | Cinematography by | Peter Menzies Jr. | Editing by | Alan Heim
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
The Cemetery Club (1993)
Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter
Cameras | Panavision Panaflex Platinum Camera
The Intouchables (2011)
Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous
Lenses | Panavision Primo Anamorphic Lenses
Narc (2002)
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy
Lenses | Zeiss Super Speed Lenses
Only Clouds Move the Stars (1998)
Directed by | Torun Lian | Cinematography by | Svein Krøvel | Editing by | Trygve Hagen
Cameras | ARRIFLEX 535 Camera
Lenses | Hawk C-Series Lenses
Conan the Barbarian (1982)
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Star Trek (2009)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Stranger Than Fiction (2006)
A Far Off Place (1993)
Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Tiny Furniture (2010)
Directed by | Lena Dunham | Cinematography by | Jody Lee Lipes | Editing by | Lance Edmands
Cameras | Canon EOS-7D Camera
La princesse de Montpensier (2010)
Directed by | Bertrand Tavernier | Cinematography by | Bruno de Keyzer | Editing by | Sophie Brunet
Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Margin Call (2011)
Jack (1996)
Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Barry Malkin
Cameras | Panavision Cameras
2 Days in the Valley (1996)
Directed by | John Herzfeld | Cinematography by | Oliver Wood | Editing by | Jim Miller, Wayne Wahrman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ben-Hur (1959) 
Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth
Cameras | MGM Camera 65 Camera
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Fast Times at Ridgemont High (1982)
Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins
Cameras | Ultracam 35 Camera
A Trip to the Moon (1902)
Directed by | Georges Méliès | Cinematography by | Théophile Michault, Lucien Tainguy | Editing by | Georges Méliès
Cameras | Lumière Cinématographe Camera
Sleuth (2007)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Neil Farrell
Lenses | Panavision Primo Anamorphic Lenses
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
