Film Print | 1315 Titles
Videodrome (1983)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Nightmare on Elm Street (2010)
Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Hotel for Dogs (2009)
Directed by | Thor Freudenthal | Cinematography by | Michael Grady | Editing by | Sheldon Kahn
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
A Shock to the System (1990)
Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Where the Truth Lies (2005)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Willow (1988)
Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott
Cameras | Panavision Panaflex Gold Camera
The Naked Man (1998)
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
A.I. Artificial Intelligence (2001)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | ARRI / Zeiss Lenses
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
The Keep (1983)
Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer
Cameras | ARRIFLEX 35 BL3 Camera
Lake Mungo (2008)
A Bronx Tale (1993)
Directed by | Robert De Niro | Cinematography by | Reynaldo Villalobos | Editing by | Robert Q. Lovett, David Ray
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Reader (2008)
Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson
Lenses | Zeiss Master Prime Lenses
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
The NeverEnding Story (1984)
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz
Lenses | Technovision Lenses
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
