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D-Cinema (DCP - Digital Cinema) | 1076 Titles

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Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Cold War (2018)

Motion Picture | 2D | 4K Project | Black & White | 1.37:1 | 89 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Promising Young Woman (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval

Starring | Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

La Marginale (2022)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 |

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar

Starring | Sarah Perles, Corinne Masiero, Delphine Baril

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens

Operation Portugal (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 95 Minutes

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier

Starring | D'Jal, Sarah Perles, Pierre Azéma

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses

Arc de Barà (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos

Starring | Trini Montoliu, Carlos Noriega, Pablo Van Der Nayar

Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black

Lenses | Canon EF Series Lenses, Sigma 30mm f1.4 EX DC HSM Lens

Capa Negra (2018)

Motion Picture | 2D | HD Project | Color | 2.39:1 |

Directed by | Jaume Najarro | Cinematography by | Pere Cots

Starring | Jack Queralt, Yeray Ortega, Rafa Delacroix

Cameras | Canon EOS-7D Camera

Chopper (2000)

Motion Picture | 2D | Film Project | Color | 94 Minutes

Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows

Starring | Eric Bana, Simon Lyndon, Vince Colosimo

Back to the Future Part III (1990)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Beyond the Night (2018)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert

Starring | Tammy Blanchard, Zane Holtz, Azhy Robertson, Caitlin Mehner

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus Camera

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens

Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

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