Distributed Aspect Ratio » 2.39:1

2.39:1 | 1408 Titles

2.39:1 3.57/5 7 Votes

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The Confession (2010)

Short Film | 2D | Color | 2.39:1 | 26 Minutes

Directed by | Tanel Toom | Cinematography by | Davide Cinzi | Editing by | Marianne Kuopanportti

Starring | Lewis Howlett, Joe Eales, James Simmons, Gemma Atkins

The Way Back (2010)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 133 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Jim Sturgess, Ed Harris, Colin Farrell, Dragos Bucur

Cameras | ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Walk (2015)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dariusz Wolski | Editing by | Jeremiah O'Driscoll

Starring | Joseph Gordon-Levitt, Charlotte Le Bon, Guillaume Baillargeon, Émilie Leclerc

Cameras | Red Epic Dragon Camera

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Press (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 |

Jamesy Boy (2014)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 109 Minutes

Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes

Starring | Spencer Rocco Lofranco, Mary-Louise Parker, Ving Rhames, James Woods

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Man from U.N.C.L.E. (2015)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki

Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The 33 (2015)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick

Starring | Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin

Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Living After Midnight (2016)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 64 Minutes

Directed by | Tyler W. Moore | Cinematography by | Izzy Dulay | Editing by | Tyler W. Moore

Starring | David Wayne Young, Miranda S. Nation, Matthew J. Lindblom, Tyler W. Moore

Cameras | Canon EOS Rebel T3i camera, GoPro HD Hero3 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Sony Lenses

Tears of Steel (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 12 Minutes

Directed by | Ian Hubert | Cinematography by | Joris Kerbosch

Starring | Derek de Lint, Sergio Hasselbaink, Rogier Schippers, Vanja Rukavina

Cameras | Sony CineAlta F65 Camera

Pan (2015)

Motion Picture | 3D | Color | 2.39:1 | 111 Minutes

Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill

Starring | Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara

Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Warsaw ’44 (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 130 Minutes

Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki

Starring | Józef Pawlowski, Zofia Wichlacz, Anna Próchniak, Antoni Królikowski

Cameras | ARRICAM Lite (LT) Camera

Testament of Youth (2014)

Motion Picture | Color | 2.39:1 | 129 Minutes

Testament of Youth | ShotOnWhat?

Directed by | James Kent | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti

Starring | Alicia Vikander, Kit Harington, Taron Egerton, Dominic West

Cameras | Sony CineAlta F65 Camera

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Southpaw (2015)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker

Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Filly Brown (2012)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 80 Minutes

Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara

Starring | Gina Rodriguez, Jenni Rivera, Lou Diamond Phillips, Edward James Olmos

Cameras | Red One MX Camera

Lenses | Zeiss Lenses

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

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