2.39:1 | 1384 Titles
Mustang (2015)
Directed by | Deniz Gamze Ergüven | Cinematography by | David Chizallet, Ersin Gok | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Super Speed Lenses
Theeb (2014)
Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd
Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox
Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
Cartel Land (2015)
Directed by | Matthew Heineman | Cinematography by | Matthew Heineman, Matt Porwoll | Editing by | Matthew Hamachek, Matthew Heineman, Bradley J. Ross, Pax Wassermann
Cinderella (2015)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Anomalisa (2015)
Directed by | Duke Johnson, Charlie Kaufman | Cinematography by | Joe Passarelli | Editing by | Garret Elkins
Cameras | Canon EOS-7D Camera
Creed (2015)
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Room (2015)
Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent
Cameras | Red Epic Dragon Camera
The Big Short (2015)
Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Steve Jobs (2015)
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
The Martian (2015)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses
The Confession (2010)
The Way Back (2010)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Walk (2015)
Directed by | Robert Zemeckis | Cinematography by | Dariusz Wolski | Editing by | Jeremiah O'Driscoll
Cameras | Red Epic Dragon Camera
Bridge of Spies (2015)
Press (2016)
Directed by | Paolo Bertino, Alessandro Isetta | Cinematography by | Federico Torres | Editing by | Enrico Giovannone, Anna Isberg, Luca Vigliani
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
Jamesy Boy (2014)
Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Batman v Superman: Dawn of Justice (2016)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
The 33 (2015)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses