Cameras » Aaton Cameras

Aaton 35 I Camera : 1Aaton 35 II Camera : 1Aaton 35 mm Camera : 1Aaton 35-III Camera : 41Aaton A-Minima Camera : 23Aaton LTR 54 Camera : 2Aaton LTR Camera : 1Aaton Penelope Camera : 31Aaton Xterà Camera : 3Aaton XTR Camera : 3Aaton XTR Plus Camera : 3Aaton XTR Prod Camera : 33

Aaton Cameras | 138 Titles

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Adventures of Power (2008)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Ari Gold | Cinematography by | Lisa Wiegand | Editing by | Geraud Brisson

Starring | Ari Gold, Michael McKean, Jane Lynch, Shoshannah Stern

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Super Speed Lenses

The Brown Bunny (2003)

Motion Picture | 2D | Color | 1.66:1 | 93 Minutes

The Brown Bunny | ShotOnWhat?

Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo

Starring | Vincent Gallo, Chloë Sevigny, Cheryl Tiegs, Elizabeth Blake

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera

Coriolanus (2011)

Motion Picture | 2D | 2K Project | Color | 123 Minutes

Directed by | Ralph Fiennes | Cinematography by | Barry Ackroyd | Editing by | Nicolas Gaster

Starring | Ralph Fiennes, Gerard Butler, Brian Cox, Lubna Azabal

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses

A Trip to Swadades (2008)

Motion Picture | 2D | Black & White | 1.85:1 | 65 Minutes

Directed by | Daniel Kremer | Cinematography by | Aaron Hollander | Editing by | Daniel Kremer

Starring | Robert Swenson, Glenn Walsh, Stephen Hatzai, Kenneth McGregor

Cameras | Aaton XTR Prod Camera

Nobody Knows (2004)

Motion Picture | 2D | Color | 141 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Yutaka Yamazaki | Editing by | Hirokazu Koreeda

Starring | Yûya Yagira, Ayu Kitaura, Hiei Kimura, Momoko Shimizu

Cameras | Aaton XTR Prod Camera

Lake Mungo (2008)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Lake Mungo | ShotOnWhat?

Directed by | Joel Anderson | Cinematography by | John Brawley | Editing by | Bill Murphy

Starring | Rosie Traynor, David Pledger, Martin Sharpe, Talia Zucker

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera, Panasonic AG-HVX200 Camera

The Intouchables (2011)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

The Intouchables | ShotOnWhat?

Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous

Starring | François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot

Cameras | Aaton Penelope Camera, ARRI ALEXA Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Anamorphic Lenses

Old Joy (2006)

Motion Picture | Color | 76 Minutes

Old Joy | ShotOnWhat?

Directed by | Kelly Reichardt | Cinematography by | Peter Sillen | Editing by | Kelly Reichardt

Starring | Daniel London, Will Oldham, Tanya Smith, Robin Rosenberg

Cameras | Aaton A-Minima Camera

Lenses | Zeiss Super Speeds Mk I Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Innkeepers (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Sara Paxton, Pat Healy, Kelly McGillis, Alison Bartlett

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

A Chronicle of Corpses (2000)

Motion Picture | 2D | Color | 1.37:1 | 83 Minutes

Directed by | Andrew Repasky McElhinney | Cinematography by | Abe Holtz | Editing by | Ron Kalish

Starring | Marj Dusay, Oliver Wyman, Margot White, Ryan Foley

Cameras | Aaton Cameras

Un amour de jeunesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier

Starring | Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

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