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VistaVision Camera Aperture | 67 Titles

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Starship Troopers (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 129 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross

Starring | Casper Van Dien, Denise Richards, Dina Meyer, Jake Busey

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Lenses

Photocopier (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi

Starring | Shenina Cinnamon, Dea Panendra, Giulio Parengkuan

Cameras | Red Monstro 8K Camera

Lenses | Leitz M 0.8 Series Lenses, Leitz THALIA Series Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Speed (1994)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 116 Minutes

Directed by | Jan de Bont | Cinematography by | Andrzej Bartkowiak | Editing by | John Wright

Starring | Keanu Reeves, Dennis Hopper, Sandra Bullock

Cameras | Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Back to the Future Part III (1990)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Dinosaur (2000)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson

Starring | D.B. Sweeney, Julianna Margulies, Samuel E. Wright, Alfre Woodard

Cameras | VistaVision Cameras

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Jurassic Park (1993)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn

Starring | Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

One-Eyed Jacks (1961)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 141 Minutes

Directed by | Marlon Brando | Cinematography by | Charles Lang | Editing by | Archie Marshek

Starring | Marlon Brando, Karl Malden, Pina Pellicer, Katy Jurado

Cameras | VistaVision Cameras

The Desperate Hours (1955)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 112 Minutes

Directed by | William Wyler | Cinematography by | Lee Garmes | Editing by | Robert Swink

Starring | Humphrey Bogart, Fredric March, Arthur Kennedy, Martha Scott

Cameras | VistaVision Cameras

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