Camera Aperture » Spherical Camera Aperture

Spherical Camera Aperture  |  1211 Titles

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The Best Intentions   (1992)

  |    |  Color  |  182 Minutes
Directed by | Bille August | Cinematography by | Jörgen Persson | Editing by | Janus Billeskov Jansen
Cameras |

Io sono l’amore   (2009)

  |    |    |    |  120 Minutes

Back to the Beach   (1987)

  |    |  Color  |    |  92 Minutes
Directed by | Lyndall Hobbs | Cinematography by | Bruce Surtees | Editing by | David Finfer
Cameras |

84 Charing Cross Road   (1987)

  |    |  Color  |    |  100 Minutes
Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble

The Truth About Cats & Dogs   (1996)

  |    |  Color  |    |  97 Minutes
Directed by | Michael Lehmann | Cinematography by | Robert Brinkmann | Editing by | Stephen Semel

The Winter Guest   (1997)

  |    |  Color  |    |  108 Minutes
Directed by | Alan Rickman | Cinematography by | Seamus McGarvey | Editing by | Scott Thomas
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Shall We Dance   (2004)

  |    |  Color  |    |  106 Minutes
Directed by | Peter Chelsom | Cinematography by | John de Borman | Editing by | Charles Ireland, Robert Leighton
Cameras |

Shrink   (2009)

  |    |  Color  |    |  104 Minutes
Directed by | Jonas Pate | Cinematography by | Lukas Ettlin, Isaac Phillips | Editing by | Luis Carballar
Cameras |

Clockwise   (1986)

  |    |  Color  |    |  96 Minutes
Directed by | Christopher Morahan | Cinematography by | John Coquillon | Editing by | Peter Boyle
Cameras |

Rocky IV   (1985)

  |    |  Black and White, Color  |  ,   |  91 Minutes

Luther   (2003)

  |    |  Color  |    |  123 Minutes
Directed by | Eric Till | Cinematography by | Robert Fraisse | Editing by | Clive Barrett
Lenses |

September   (1987)

  |    |  Color  |    |  83 Minutes
Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse
Cameras |

Rear Window   (1998)

  |    |  Color  |    |  89 Minutes
Directed by | Jeff Bleckner | Cinematography by | Ken Kelsch | Editing by | Geoffrey Rowland
Cameras |

Rich in Love   (1992)

  |    |  Color  |    |  105 Minutes
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras |

National Lampoon’s European Vacation   (1985)

  |    |  Color  |    |  95 Minutes
Directed by | Amy Heckerling | Cinematography by | Robert Paynter | Editing by | Pembroke J. Herring
Cameras |

The Russian Specialist   (2005)

  |    |  Color  |    |  94 Minutes
Directed by | Dolph Lundgren | Cinematography by | Ross W. Clarkson | Editing by | Joe Plenys
Cameras |

Despair   (1978)

  |    |  Color  |    |  119 Minutes

Dead Man Walking   (1995)

  |    |  Color  |    |  122 Minutes
Directed by | Tim Robbins | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin, Ray Hubley
Cameras |

Midnight in the Garden of Good and Evil   (1997)

  |    |  Color  |    |  155 Minutes
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras |

Planes, Trains & Automobiles   (1987)

  |    |  Color  |    |  93 Minutes
Directed by | John Hughes | Cinematography by | Donald Peterman | Editing by | Paul Hirsch
Cameras |

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