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Imax Camera Aperture | 20 Titles

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Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mission: Impossible – Ghost Protocol (2011)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 132 Minutes

Mission: Impossible – Ghost Protocol | ShotOnWhat?

Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch

Starring | Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton

Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

NSync: Bigger Than Live (2001)

Motion Picture | 2D | Film Project | Color | 48 Minutes

Directed by | John Bailey | Cinematography by | John Bailey, Matthew Williams | Editing by | Lou Angelo, Robert DeMaio, Christian Wagner

Starring | Lance Bass, J.C. Chasez, Joey Fatone, Chris Kirkpatrick

Cameras | Iwerks MSM 8870 Camera

India: Kingdom of the Tiger (2002)

Motion Picture | 2D | Film Project | Color | 42 Minutes

Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Jean-Marie Drot

Starring | Colin Vint, Christopher Heyerdahl, Smriti Mishra, Hema Bisht

Cameras | IMAX MSM 9802 Camera

Lenses | Hasselblad Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Dunkirk (2017)

Motion Picture | 2D | 2K Project, 4K Project | Color | 1.43:1, 1.90:1, 2.20:1, 2.35:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses

Amazon (1997)

Documentary | 2D | Color | 1.44:1 | 38 Minutes

Directed by | Kieth Merrill | Cinematography by | Mike Hoover | Editing by | Stephen L. Johnson

Starring | Linda Hunt, Jesse Corti, Mark Plotkin, Sydney Possuelo

Alaska: Spirit of the Wild (1998)

Documentary | 2D | Color | 1.44:1 | 41 Minutes

Directed by | George Casey | Cinematography by | Rodney Taylor | Editing by | Tim Huntley

More (1998)

Short Film | 2D | Color | 1.44:1 | 6 Minutes

Directed by | Mark Osborne | Cinematography by | Mark Osborne | Editing by | Mark Osborne

The Old Man and the Sea (1999)

Short Film | 2D | Color | 1.44:1 | 20 Minutes

Directed by | Aleksandr Petrov | Cinematography by | Sergey Reshetnikov | Editing by | Denis Papillon

Starring | Gordon Pinsent, Kevin Duhaney, Yôji Matsuda, Rentarô Mikuni

Dolphins (2000)

Documentary | 2D | Color | 1.44:1 | 39 Minutes

Directed by | Greg MacGillivray | Cinematography by | Greg MacGillivray, Brad Ohlund | Editing by | Stephen Judson

Starring | Pierce Brosnan, Alejandro Acevedo-Gutiérrez, Dean Bernal, Kathleen Dudzinski

Star Trek Into Darkness (2013)

Motion Picture | 3D | Color | 1.44:1, 2.39:1 | 132 Minutes

Star Trek Into Darkness | ShotOnWhat?

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Chris Pine, Zachary Quinto, Zoe Saldana, Benedict Cumberbatch

Cameras | ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Hunger Games: Catching Fire (2013)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 146 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Harry Potter and the Order of the Phoenix (2007)

Motion Picture | Color | 2.35:1 | 138 Minutes

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Directed by | David Yates | Cinematography by | Slawomir Idziak | Editing by | Mark Day

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Brendan Gleeson

Cameras | ARRI Cameras

Transformers: Revenge of the Fallen (2009)

Motion Picture | 2D | 2K Project | Color | 1.44:1, 2.39:1 | 150 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Starring | Shia LaBeouf, Megan Fox, Josh Duhamel, Tyrese Gibson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Tree of Life (2011)

Motion Picture | Color | 1.85:1 | 139 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Starring | Brad Pitt, Sean Penn, Jessica Chastain, Hunter McCracken

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Last Reef 3D (2012)

Motion Picture | 3D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 40 Minutes

The Last Reef 3D | ShotOnWhat?

Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas

Cameras | IMAX Cameras, Red Digital Cinema Cameras, Spacecam Aerial Cameras

The Dark Knight Rises (2012)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Journey to Mecca (2009)

Short Film | Color | 45 Minutes

Journey to Mecca | ShotOnWhat?

Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Jean-Marie Drot

Starring | Chems-Eddine Zinoune, Hassam Ghancy, Essam Edriss, Nabil Elouahabi

Cameras | IMAX MSM 9802 Camera

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