Sennheiser Microphones | 57 Titles
Wortels Uit Blik (2022)
Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
The Weed Whacker Massacre (2017)
Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon Lenses
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
East of Hope Street (1998)
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Return of the Thumb (2018)
Directed by | Florian Schmidt-Convey | Cinematography by | Costa Konstantinou | Editing by | Florian Schmidt-Convey
Cameras | Blackmagic Design Cameras, Blackmagic URSA Camera, Canon Cameras, Canon EOS-C100 Camera, Canon EOS-C300 Camera, Sony Cameras, Sony α7 Series Cameras, Sony α7S Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses, Canon L Series Lenses, Canon Lenses, Zeiss Lenses, Zeiss ZF.2 85mm Planar f1.4 Lens, Zeiss ZF.2 Prime Lenses
Breaking Bad (2008)
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
Bitch Lover (2020)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon Lenses, Samyang Lenses
Room X (2008)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams
Cameras | Bolex H16 SB Camera
Lenses | Angenieux Lenses
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Julia (2019)
Directed by | Keno Aladjuz, Coen de Leeuwe | Cinematography by | Keno Aladjuz | Editing by | Keno Aladjuz, Coen de Leeuwe
Cameras | Red Scarlet Camera
Lenses | Samyang Lenses
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
What if it Was Me? (2020)
Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman
Cameras | Red Scarlet Dragon Camera
Lenses | Canon L Series Lenses
Skin: The Movie (2018)
Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe
Cameras | Sony PXW-FS7 Camera