Microphones | 103 Titles
Runner (2018)
Directed by | Keno Aladjuz, Adelheid Bos, Lex Mannens | Editing by | Keno Aladjuz
Cameras | Nikon Cameras
Julia (2019)
Directed by | Keno Aladjuz, Coen de Leeuwe | Cinematography by | Keno Aladjuz | Editing by | Keno Aladjuz, Coen de Leeuwe
Cameras | Red Scarlet Camera
Lenses | Samyang Lenses
Promised: A True Story (2021)
Directed by | Yitzchok Zev Weisz | Cinematography by | Duvid Steinberg | Editing by | Duvid Steinberg, Yitzchok Zev Weisz
Cameras | Canon Cameras
Lenses | Canon EF Series Lenses
A Spark in Nothing (2021)
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
What if it Was Me? (2020)
Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman
Cameras | Red Scarlet Dragon Camera
Lenses | Canon L Series Lenses
Skin: The Movie (2018)
Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe
Cameras | Sony PXW-FS7 Camera
Flytrap (2015)
Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Angenieux 24-240 mm f2.6 Zoom Lens
Highly Ghosted (2018)
Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope
Church of Fears (2018)
Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner
Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera
Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
The Love Witch (2016)
Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller
Cameras | ARRICAM Studio (ST) Camera
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
Spud (2009)
Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman
Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera
Lenses | Fujinon Lenses
Family Obligations (2019)
Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring
Cameras | Blackmagic Pocket Cinema Camera