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Traditional Animation | 54 Titles

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Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Atom the Amazing Zombie Killer (2012)

Motion Picture | Color, Color | 80 Minutes

Atom the Amazing Zombie Killer | ShotOnWhat?

Directed by | Zack Beins, Richard Taylor | Cinematography by | Richard Taylor | Editing by | Tim Johnson, Richard Taylor

Starring | Tom Autry, Matthew M. Baxter, Brad Beins, Babette Bombshell

Cameras | Sony PMW-EX1 Camera

The Twilight Saga: Breaking Dawn – Part 1 (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz

Starring | Kristen Stewart, Robert Pattinson, Taylor Lautner, Gil Birmingham

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

ParaNorman (2012)

Motion Picture | 3D | Color | 2.39:1 | 92 Minutes

Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie

Starring | Kodi Smit-McPhee, Anna Kendrick, Christopher Mintz-Plasse, Tucker Albrizzi

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Drag Me to Hell (2009)

Motion Picture | 2D | Color | 2.35:1 | 99 Minutes

Drag Me to Hell | ShotOnWhat?

Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski

Starring | Alison Lohman, Justin Long, Ruth Livier, Lorna Raver

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras

Lenses | Panavision Lenses

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

The Spiderwick Chronicles (2008)

Motion Picture | 2D | Color | 2.35:1 | 96 Minutes

The Spiderwick Chronicles | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn

Starring | Freddie Highmore, Sarah Bolger, David Strathairn, Mary-Louise Parker

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Fantastic Mr. Fox (2009)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum

Starring | George Clooney, Meryl Streep, Bill Murray, Jason Schwartzman

Cameras | Nikon D3 Camera

Lenses | Cooke Varotal Lenses

The Pirates! Band of Misfits (2012)

Motion Picture | 3D | Color | 2.39:1 | 88 Minutes

Directed by | Peter Lord, Jeff Newitt | Cinematography by | Frank Passingham | Editing by | Justin Krish

Starring | Hugh Grant, Salma Hayek, Jeremy Piven, Martin Freeman

Cameras | Canon EOS-5D Mark II Camera

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Hop (2011)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Hop | ShotOnWhat?

Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler

Starring | Russell Brand, James Marsden, Elizabeth Perkins, Kaley Cuoco

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Race to Witch Mountain (2009)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Race to Witch Mountain | ShotOnWhat?

Directed by | Andy Fickman | Cinematography by | Greg Gardiner | Editing by | David Rennie

Starring | Dwayne Johnson, Carla Gugino, AnnaSophia Robb, Alexander Ludwig

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Leap Year (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore

Starring | Amy Adams, Matthew Goode, Adam Scott, John Lithgow

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision G Series Anamorphic Lenses

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