Keyframe animation | 43 Titles
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Quantum of Solace (2008)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Zombieland (2009)
Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgarten
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
The Men Who Stare at Goats (2009)
Directed by | Grant Heslov | Cinematography by | Robert Elswit | Editing by | Tatiana S. Riegel
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Where the Wild Things Are (2009)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Sherlock Holmes (2009)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera
Contagion (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Dolphin Tale (2011)
Directed by | Charles Martin Smith | Cinematography by | Karl Walter Lindenlaub | Editing by | Harvey Rosenstock
Cameras | Red One MX Camera
Water for Elephants (2011)
Knowing (2009)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | Richard Learoyd
Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Land of the Lost (2009)
Directed by | Brad Silberling | Cinematography by | Dion Beebe | Editing by | Peter Teschner
Cameras | Panavision Cameras
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
