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Celluloid | 2977 Titles

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The Passion of the Christ (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright

Starring | Jim Caviezel, Monica Bellucci, Maia Morgenstern, Christo Jivkov

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unbreakable (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor

Starring | Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Italian Job (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | F. Gary Gray | Cinematography by | Wally Pfister | Editing by | Richard Francis-Bruce, Christopher Rouse

Starring | Donald Sutherland, Mark Wahlberg, Edward Norton, Charlize Theron

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Goonies (1985)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 114 Minutes

Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg

Starring | Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman

Cameras | ARRIFLEX 35 III Camera

Die Hard (1988)

Motion Picture | 2D | Film Project | Color | 132 Minutes

Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste

Starring | Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson

Cameras | Panavision Panaflex Gold Camera

Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

Amélie (2001)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 122 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Mathieu Kassovitz, Rufus

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses | Zeiss Ultra Prime Lenses

The Deer Hunter (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 183 Minutes

Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner

Starring | Robert De Niro, Christopher Walken, John Cazale

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

Zoolander (2001)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 90 Minutes

Directed by | Ben Stiller | Cinematography by | Barry Peterson | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Christine Taylor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Mask (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 101 Minutes

The Mask | ShotOnWhat?

Directed by | Chuck Russell | Cinematography by | John R. Leonetti | Editing by | Arthur Coburn

Starring | Jim Carrey, Cameron Diaz, Peter Riegert, Peter Greene

Cameras | Panavision Panaflex Series Cameras

Lenses | Zeiss Lenses

Lethal Weapon 3 (1992)

Motion Picture | 2D | Film Project | Color | 118 Minutes

Directed by | Richard Donner | Cinematography by | Jan de Bont | Editing by | Robert Brown, Battle Davis

Starring | Mel Gibson, Danny Glover, Joe Pesci

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Texas Chain Saw Massacre (1974)

Motion Picture | 2D | Film Project | Color | 83 Minutes

Directed by | Tobe Hooper | Cinematography by | Daniel Pearl | Editing by | J. Larry Carroll, Sallye Richardson

Starring | Marilyn Burns, Edwin Neal, Allen Danziger

Cameras | Bolex H16 RX5 Camera, Éclair NPR Camera

Vertigo (1958)

Motion Picture | 2D | Color | 1.50:1, 1.85:1 | 128 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore

Cameras | Mitchell VistaVision Camera

The Blair Witch Project (1999)

Motion Picture | 2D | Black & White, Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Daniel Myrick, Eduardo Sánchez | Cinematography by | Neal Fredericks | Editing by | Daniel Myrick, Eduardo Sánchez

Starring | Heather Donahue, Michael C. Williams, Joshua Leonard

Cameras | Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

Car Trouble! (2020)

Short Film | 2D | HD Project | Black & White | 1.85:1 | 3 Minutes

Starring | Xander Phillips, Nickwolff Quintana

Cameras | Bolex Cameras, Canon EOS 550D Camera, Canon EOS Rebel T2i Camera

Lenses | Canon Lenses

Sunset Blvd. (1950)

Motion Picture | 2D | Film Project | Black & White | 110 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz | Editing by | Arthur P. Schmidt

Starring | William Holden, Gloria Swanson, Erich von Stroheim

Cameras | Mitchell BNC Camera

Saltburn (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 131 Minutes

Directed by | Emerald Fennell | Cinematography by | Linus Sandgren | Editing by | Victoria Boydell

Starring | Barry Keoghan, Jacob Elordi, Archie Madekwe

Cameras | ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ben-Hur: A Tale of the Christ (1925)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 143 Minutes

Directed by | Fred Niblo, Charles Brabin, Christy Cabanne, J.J. Cohn, Rex Ingram | Cinematography by | Clyde De Vinna, René Guissart, Percy Hilburn, Karl Struss, Paul Kerschner | Editing by | Lloyd Nosler

Starring | Ramon Novarro, Francis X. Bushman, May McAvoy

Cameras | Akeley 35mm Ciné Camera, Bell & Howell 2709 Camera, Mitchell Standard Camera

Le militaire (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski

Starring | Laurent Lucas, Noémie Godin-Vigneau, Harry Standjofski

Cameras | Aaton XTR Prod Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Picnic (1996)

Motion Picture | 2D | Color | 1.66:1 | 68 Minutes

Directed by | Shunji Iwai | Cinematography by | Noboru Shinoda | Editing by | Toshihiko Kojima

Starring | Chara, Tadanobu Asano, Koichi Hashizume

Westworld (2016)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 62 Minutes

| Cinematography by | John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery | Editing by | Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Starring | Evan Rachel Wood, Jeffrey Wright, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

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