Search Results: 5248 | 202 Titles
The Affair of the Necklace (2001)
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Directed by | Charles Shyer Cinematography by ~ Ashley Rowe Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera Lenses | Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses |
The Tailor of Panama (2001)
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Directed by | John Boorman Cinematography by ~ Philippe Rousselot Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision C Series Anamorphic Lenses |
Independence Day (1996)
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Directed by | Roland Emmerich Cinematography by ~ Karl Walter Lindenlaub Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision Lenses |
The Horse Whisperer (1998)
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Directed by | Robert Redford Cinematography by ~ Robert Richardson Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision E Series Anamorphic Lenses |
Kundun (1997)
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Directed by | Martin Scorsese Cinematography by ~ Roger Deakins Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Cameras |
ARRIFLEX 535 B Camera Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses |
The Craft (1996)
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Directed by | Andrew Fleming Cinematography by ~ Alexander Gruszynski Cameras | Moviecam Compact Camera Lenses | Zeiss Lenses |
The Cable Guy (1996)
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Directed by | Ben Stiller Cinematography by ~ Robert Brinkmann Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera Lenses | Zeiss Standard Speed Prime Lenses |
Jennifer 8 (1992)
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Directed by | Bruce Robinson Cinematography by ~ Conrad L. Hall Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Rock (1996)
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Directed by | Michael Bay Cinematography by ~ John Schwartzman Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses |
The Shawshank Redemption (1994)
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Directed by | Frank Darabont Cinematography by ~ Roger Deakins Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera Lenses | ARRI / Zeiss Lenses |
The Score (2001)
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Directed by | Frank Oz Cinematography by ~ Rob Hahn Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
American Beauty (1999)
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Directed by | Sam Mendes Cinematography by ~ Conrad L. Hall Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision Primo Primes Spherical Lenses |
Kill Bill: Vol. 2 (2004)
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Directed by | Quentin Tarantino Cinematography by ~ Robert Richardson Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Ghost and the Darkness (1996)
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Directed by | Stephen Hopkins Cinematography by ~ Vilmos Zsigmond Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
Forrest Gump (1994)
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Directed by | Robert Zemeckis Cinematography by ~ Don Burgess Cameras | Panavision Panaflex Platinum Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses |
Contact (1997)
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Directed by | Robert Zemeckis Cinematography by ~ Don Burgess Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses |
Starship Troopers (1997)
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Directed by | Paul Verhoeven Cinematography by ~ Jost Vacano Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera Lenses | Zeiss Lenses |
Wild Wild West (1999)
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Directed by | Barry Sonnenfeld Cinematography by ~ Michael Ballhaus Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens |
